Difference between revisions of "Ayer Collection 0041"
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Gongmaster (talk | contribs) (Created page with ";Stills from <em>Relâche: a Piece for Dogs</em> :Erik Satie interpreted by the Neoteric Ensemble :Recording by Panda Kroll and Larry Nordstrom :VHS tape :55' 40" :April 1986 :Im...") |
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| Line 5: | Line 5: | ||
:55' 40" | :55' 40" | ||
:April 1986 | :April 1986 | ||
: | :Images © 1986 the Neoteric Ensemble | ||
<noinclude> | <noinclude> | ||
:Collection of David and Rebecca Ayer | :Collection of David and Rebecca Ayer | ||
</noinclude> | </noinclude> | ||
:These are | :These are samples from one of two video tapes made at the performance. Captions correspond roughly to the scenes according to the [[Ayer_Collection_0028|stage directions]], which were based loosely on the headings in Satie's score. | ||
[[File:Relache_001.jpg|640px|thumb|Tableau: Tim lights the candles]] | :The West End costumes of <em>Toujours Perdrix</em> fame made a guest appearance. Produce was in the air. Liberties were taken throughout the performance—though the film score was followed as faithfully as the Ensemble's abilities allowed—and there was plenty of cleanup required afterwards. | ||
[[File:Relache_001.jpg|640px|thumb|Tableau: Tim Blickhan lights the candles]] | |||
[[File:Relache_002.jpg|640px|thumb|Tim joins Dr. Reeves at the piano]] | [[File:Relache_002.jpg|640px|thumb|Tim joins Dr. Reeves at the piano]] | ||
[[File:Relache_003.jpg|640px|thumb|The Woman examines the Decor]] | [[File:Relache_003.jpg|640px|thumb|The Woman examines the Decor: Carol Funke]] | ||
[[File:Relache_004.jpg|640px|thumb|Tableau: the Banquet]] | [[File:Relache_004.jpg|640px|thumb|Tableau: the Banquet]] | ||
[[File:Relache_005.jpg|640px|thumb|Tableau: the Banquet gets old]] | [[File:Relache_005.jpg|640px|thumb|Tableau: the Banquet gets old]] | ||
[[File:Relache_006.jpg|640px|thumb|Grand Old Men]] | [[File:Relache_006.jpg|640px|thumb|Grand Old Men]] | ||
[[File:Relache_007.jpg|640px|thumb|Testimonial: Dean Langston]] | [[File:Relache_007.jpg|640px|thumb|Testimonial to our friend Satie: Dean Langston]] | ||
[[File:Relache_008.jpg|640px|thumb|Testimonial: Joel Davel]] | [[File:Relache_008.jpg|640px|thumb|Testimonial to our friend Satie: Joel Davel]] | ||
[[File:Relache_009.jpg|640px|thumb|Men in Hats, background and foreground]] | [[File:Relache_009.jpg|640px|thumb|Men in Hats, background and foreground]] | ||
[[File:Relache_010.jpg|640px|thumb|Testimonial: Dave Ayer]] | [[File:Relache_010.jpg|640px|thumb|Testimonial to our friend Satie: Dave Ayer]] | ||
[[File:Relache_011.jpg|640px|thumb|Testimonial: Kurt Stallmann]] | [[File:Relache_011.jpg|640px|thumb|Testimonial to our friend Satie: Kurt Stallmann]] | ||
[[File:Relache_012.jpg|640px|thumb|The Woman sits...and smokes]] | [[File:Relache_012.jpg|640px|thumb|The Woman sits...and smokes]] | ||
[[File:Relache_013.jpg|640px|thumb|A Toast!]] | [[File:Relache_013.jpg|640px|thumb|A Toast!]] | ||
| Line 34: | Line 35: | ||
[[File:Relache_023.jpg|640px|thumb|Piano I]] | [[File:Relache_023.jpg|640px|thumb|Piano I]] | ||
[[File:Relache_024.jpg|640px|thumb|The Orchestra assembles]] | [[File:Relache_024.jpg|640px|thumb|The Orchestra assembles]] | ||
[[File:Relache_025.jpg|640px|thumb| | [[File:Relache_025.jpg|640px|thumb|<em>Prologue Cinématographique</em> film credits]] | ||
[[File:Relache_026.jpg|640px|thumb| | [[File:Relache_026.jpg|640px|thumb|<em>Prologue Cinématographique</em>: Satie and Picabia put one over on the audience]] | ||
[[File:Relache_027.jpg|640px|thumb| | [[File:Relache_027.jpg|640px|thumb|<em>Entr'Acte</em>: the Orchestra begins]] | ||
[[File:Relache_028.jpg|640px|thumb| | [[File:Relache_028.jpg|640px|thumb|<em>Entr'Acte</em>: Kurt on keyboard]] | ||
[[File:Relache_029.jpg|640px|thumb| | [[File:Relache_029.jpg|640px|thumb|<em>Entr'Acte</em>: Joel on mallet percussion]] | ||
[[File:Relache_030.jpg|640px|thumb| | [[File:Relache_030.jpg|640px|thumb|<em>Entr'Acte</em>: Steve Doyle on guitar]] | ||
[[File:Relache_031.jpg|640px|thumb| | [[File:Relache_031.jpg|640px|thumb|<em>Entr'Acte</em>: find Betsy Start, cello]] | ||
[[File:Relache_032.jpg|640px|thumb| | [[File:Relache_032.jpg|640px|thumb|<em>Entr'Acte</em>: Joe Pinzarrone, piano II]] | ||
[[File:Relache_033.jpg|640px|thumb| | [[File:Relache_033.jpg|640px|thumb|<em>Entr'Acte</em>: Becky Ayer, viola]] | ||
[[File:Relache_034.jpg|640px|thumb| | [[File:Relache_034.jpg|640px|thumb|<em>Entr'Acte</em>: Carol and Dave]] | ||
[[File:Relache_035.jpg|640px|thumb|Tim doubles on bass, with Jim on guitar in background]] | [[File:Relache_035.jpg|640px|thumb|<em>Entr'Acte</em>: Tim doubles on bass, with Jim on guitar in background]] | ||
[[File:Relache_036.jpg|640px|thumb|Act II: the Men return]] | [[File:Relache_036.jpg|640px|thumb|Act II: the Men return]] | ||
[[File:Relache_037.jpg|640px|thumb|The Woman poses the Men]] | [[File:Relache_037.jpg|640px|thumb|The Woman poses the Men]] | ||
| Line 53: | Line 54: | ||
[[File:Relache_042.jpg|640px|thumb|Exeunt Men]] | [[File:Relache_042.jpg|640px|thumb|Exeunt Men]] | ||
[[File:Relache_043.jpg|640px|thumb|The Dance of the Crown]] | [[File:Relache_043.jpg|640px|thumb|The Dance of the Crown]] | ||
[[File:Relache_044.jpg|640px|thumb| | [[File:Relache_044.jpg|640px|thumb|An Elvis curtain call]] | ||
[[File:Relache_045.jpg|640px|thumb|Applause?]] | [[File:Relache_045.jpg|640px|thumb|Applause?]] | ||
[[File:Relache_046.jpg|640px|thumb|Jefe Pinzarrone inspects the damage]] | [[File:Relache_046.jpg|640px|thumb|Jefe Pinzarrone inspects the damage]] | ||
Latest revision as of 21:28, 18 March 2012
- Stills from Relâche: a Piece for Dogs
- Erik Satie interpreted by the Neoteric Ensemble
- Recording by Panda Kroll and Larry Nordstrom
- VHS tape
- 55' 40"
- April 1986
- Images © 1986 the Neoteric Ensemble
- Collection of David and Rebecca Ayer
- These are samples from one of two video tapes made at the performance. Captions correspond roughly to the scenes according to the stage directions, which were based loosely on the headings in Satie's score.
- The West End costumes of Toujours Perdrix fame made a guest appearance. Produce was in the air. Liberties were taken throughout the performance—though the film score was followed as faithfully as the Ensemble's abilities allowed—and there was plenty of cleanup required afterwards.
