Difference between revisions of "Collection of David and Rebecca Ayer"
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What can I say? I'm a pack rat. These remnants are mostly from boxes and filing cabinets packed and stored serially in the garages of a string of homes and storage units for the last twenty-something years. Many are in better condition than I would have predicted, considering the means of production and non-archival nature of the materials used. At least most were easy to scan, not as much work to convert or as big as audio files.... | </div> | ||
<p class="bbtext">What can I say? I'm a pack rat. These remnants are mostly from boxes and filing cabinets packed and stored serially in the garages of a string of homes and storage units for the last twenty-something years. Many are in better condition than I would have predicted, considering the means of production and non-archival nature of the materials used. At least most were easy to scan, not as much work to convert or as big as audio files.... | |||
</p> | </p> | ||
<p>Please do take advantage of the wiki nature of this site and feel free to edit this page. Correct errors grammatical, factual, or of omission; in many cases I have had to rely on memory to infer dates, so help there is especially appreciated. Also add sections of your own, or links to images of your better or variant copies and other related materials if you have them. | <p>Please do take advantage of the wiki nature of this site and feel free to edit this page. Correct errors grammatical, factual, or of omission; in many cases I have had to rely on memory to infer dates, so help there is especially appreciated. Also add sections of your own, or links to images of your better or variant copies and other related materials if you have them. | ||
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<p>— Dave | <p>— Dave | ||
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=Mimesis= | =Mimesis= | ||
<hr> | <hr> |
Revision as of 05:57, 24 July 2012
What can I say? I'm a pack rat. These remnants are mostly from boxes and filing cabinets packed and stored serially in the garages of a string of homes and storage units for the last twenty-something years. Many are in better condition than I would have predicted, considering the means of production and non-archival nature of the materials used. At least most were easy to scan, not as much work to convert or as big as audio files....
Please do take advantage of the wiki nature of this site and feel free to edit this page. Correct errors grammatical, factual, or of omission; in many cases I have had to rely on memory to infer dates, so help there is especially appreciated. Also add sections of your own, or links to images of your better or variant copies and other related materials if you have them.
— Dave
Mimesis
I've got a little bit of Mimesis stuff that's not connected to Neoteric Ensemble performances, just waiting to be scanned.
Neoteric Ensemble
- Poster, Tales of Power
- D A Ayer
- Screen print on poster board
- 22 x 28 inches
- April 1983
- © 1983 D A Ayer and Joseph Pinzarrone
- Imagery came from photos Joe had from an earlier performance (1976 at the University of Deleware, as Joe explains). Both the maids in aprons and the bassoonist pope were hand-copied, cut out, and used as friskets over translucent vellum. Additional masking was done with rubber cement to create splatter text and the bassoon aura. The whole thing was then spray painted black to get the final image for phototransfer to a silk screen. Printing was a single impression using black and red inks together.
- This copy is still in reasonable condition almost thirty years later because we reserved a few artist's proofs for posterity. Archival materials were not used, and the quality of the printing is laughable by NIU Art Department standards, but the job came in at the right price. I recall borrowing everything except the paper and photo emulsion, maybe the black ink.
- At that point I was not a member of the ensemble, and still tend to think of this as my audition.
Edit or add more information: Ayer_Collection_0000
- Program, Ensemble Performance Series
- Joseph Pinzarrone, Tim Blickhan, et al
- Plain paper copy
- 8 1/2 x 11 inches
- November 1983
- Northern Illinois University, College of Visual and Performing Arts
- A program from 1983 lists the members of the day. Three additional pages reproduced the scored instructions for Mark Bobak's and Erik Deerly's featured works along with Margaret Atwood's Against Still Life. These are reproduced as part of Blickhan Collection 0005.
Edit or add more information: Ayer_Collection_0001
- Photo, Cathy Church Senior Recital
- Newsprint
- February 1984
- © 1984 The Daily Chronicle
- I was photographed performing in the scored demolition of an old player piano during this guest appearance of the ensemble at Cathy Church's Senior Recital. Speculation followed about the impact this photo had on the NIU School of Visual and Performing Arts' reputation and fundraising programs after concerned Daily Chronicle readers assumed we had destroyed school property. In fact, the piano had been liberated from an Illinois barn and had to be cleansed of layers of straw and bird droppings before making its final appearance.
- Hat tip to Tim for getting permission to publish from the Chronicle and for having a much better memory than I about the preparations. He also furnished a copy of the poster and provided the image of the Chronicle's follow-up clarification.
Edit or add more information: Ayer_Collection_0002
- Poster, Selling Out
- D A Ayer
- Plain paper copy
- 8 1/2 x 14 inches
- April 1984
- © 1984 the artist
- Sung to the tune of Puttin' On the Ritz, Robert(O) Mendel's lyrics ushered in the ensemble's answer to an Orwellian year in which we anticipated a Presidential reelection and more misery for the state of education in America. Clearly most of us were not going to make a living in the "fine" arts, so why not go commercial at the outset?
- Despite a DeKalb tradition of sacrificing cash for culture—a contemporary student show included artworks made out of corners ripped from real US currency—and thanks to the miracle of self-service plain-paper copying, no actual dollar bills were harmed!
Edit or add more information: Ayer_Collection_0003
- Audio cassette label, DOGSWILL RAVE
- D A Ayer
- Plain paper copy on hand-cut card stock
- 7 1/2 x 4 inches
- April 1984
- © 1984 the artist
- One of the hallmarks of a sellout is merchandise available for sale in the lobby. The Indie approach of the day was to use analog cassettes since they were readily available and cheap. E X Rator had access to a high-speed dubbing deck so it was possible to make these quickly. Oddly enough I don't seem to have a copy of the actual audio tape and so I got wondering whether we ever really made any....
- Thankfully, Tim had one!
Edit or add more information: Ayer_Collection_0004
- Department roster, Ministry of Culture
- D A Ayer
- Handwritten notes
- 8 1/2 x 11 inches
- April 1984
- 1984—2012 D A Ayer
- Like the traditional Electric Pumpkin Patch, Selling Out was a distributed performance occupying as much of the NIU music building as the Ensemble could get access to and manage to "staff." One side-effect of the approach is that no one saw the entire performance, with the performers at least as in the dark as the audience. The Ministry of Culture was staffed by someone else, and in the end I'm pretty sure it had little to do with this early brainstorm based on Orwell's book.
- Got memories? Please help flesh this out!
Edit or add more information: Ayer_Collection_0005
- Invitation, Electric Pumpkin Patch
- Joseph Pinzarrone
- Mimeograph copy
- 8 1/2 x 11 inches
- October 1984
- Northern Illinois University, College of Visual and Performing Arts
- Saved more for its historical implications—Back Before Digital—this piece of paper reflects the painstaking nature of mid-80's authoring and copy methods. Few among us even had access to correcting typewriters, so when speed was needed, corrections were made in situ. Still legible, despite the ravages of time.
Edit or add more information: Ayer_Collection_0006
- Postcard, Neoteric Ensemble
- Rebecca Ayer
- Collage on poster board
- 6 x 4 inches
- April 1985
- © 1985 the artist
- Becky would pick up a Star or National Enquirer issue now and then just to save for collage purpose. These were one-offs she then posted around the music building the week of an event. They seemed to escape the usual enforcement of the Student Association—posters were required to have an official SA stamp—by not being posters per se.
- What was the event? Where was it happening? "Moose-lift continues" says it all.
Edit or add more information: Ayer_Collection_0007
- Poster, Mostly Field Effect Theater
- D A Ayer
- Plain paper copy
- 8 1/2 by 11 inches
- April 1985
- © 1985 D A Ayer
- In case you were wondering what the moose-lift was all about, this informative poster cleared everything right up.
- This was the first of the pieces that evolved into the Elastic Theatre over the coming months. The idea was to create a improvisational symphony of actions chosen by the performers acting strictly alone, avoiding any pre-arranged interactions. Would "meaning" emerge?
- Note this was back in the days when the cheap way to set type was by hand using rub-on transfers. It wasn't my strongest suit but the finish quality was better than that of my silk screens.
Edit or add more information: Ayer_Collection_0008
- Program, Punto Cinco Alternative Performance Series, Virtuoso Works for Elastic Theatre
- Joseph Pinzarrone and E X Rator
- Plain paper copy
- 8 1/2 x 11 inches
- May 1985
- © 1985 Punto Cinco/Mimesis
- This program is from the Punto Cinco event which followed MOSFET by about three weeks. This was the first use of the Light Arc photosensitive instrument interface, which we married to a computer-controlled synthesizer—I recall Betsy Start was the synth technician and performer, but don't see an acknowledgement—and renamed the Elastic Theatre. The group experimented with various approaches to this situational performance method throughout the summer.
Edit or add more information: Ayer_Collection_0009
- Poster, Virtuoso Works for Elastic Theatre
- Joseph Pinzarrone and E X Rator
- Plain paper copy
- 8 1/2 x 11 inches
- May 1985
- © 1985 Punto Cinco/Mimesis
- This poster for the Punto Cinco Elastic Theatre performance acknowledges funding from the Illinois Arts Council. It was an off-campus event attended largely by an NIU campus crowd.
- There was a lot happening on Lincoln Highway in 1985. I may have the attributions wrong here, because sometimes the photos were taken by itinerant and not local talent. Please help me get it right!
Edit or add more information: Ayer_Collection_0010
- Program, ArtBus
- Neoteric Ensemble et al
- Plain paper copy
- 8 1/2 x 11 inches
- November 1985
- Northern Illinois University, College of Visual and Performing Arts
- This was the program handout for the ArtBus performance. It was initially intended to be handed to passengers only as they were boarding the bus. Note the ART MAY BE EVERYWHERE SERIES tagline. More contributors are credited here than we can even remember today....
Edit or add more information: Ayer_Collection_0011
- Poster, The Bus
- Neoteric Ensemble et al
- Plain paper copy
- 8 1/2 x 11 inches
- November 1985
- Northern Illinois University, College of Visual and Performing Arts
- One of the more striking graphics produced in the ArtBus poster series, this example captured the obfuscatory aspect of the ArtTrain promotions found around campus—What the heck is an ArtTrain, anyway?—but managed to look sophisticated and cool in spite of it.
Edit or add more information: Ayer_Collection_0012
- Poster, The Bus
- Neoteric Ensemble et al
- Plain paper copy
- 11 x 8 1/2 inches
- November 1985
- Northern Illinois University, College of Visual and Performing Arts
- One of the clear aesthetic markers of the ArtBus was its lack of any unifying aesthetic. This was not some neighbor-state, DOW Chemical sponsored, traveling tax write-off but maybe some sort of grassroots transportation agency. The more random the posters appeared, the larger the force that spawned them appeared to be....
- There's no clear attribution on this one, so if the real artist would please stand up and edit this article it would be a great boon. (We think we know but we've been wrong before.)
Edit or add more information: Ayer_Collection_0013
- Poster, ArtBus is Coming
- Neoteric Ensemble et al
- Plain paper copy
- 11 x 8 1/2 inches
- November 1985
- Northern Illinois University, College of Visual and Performing Arts
- This ArtBus poster riffed on the ///ArtTrain logos which were appearing everywhere in town. The very notion of the former Michigan ArtTrain as a corporation was repellant to starving students coming to grips with 1980's employment realities.
- Again we are seeking an attribution and commentary from the original artist.
Edit or add more information: Ayer_Collection_0014
- Logistics notes for ArtBus
- D A Ayer
- Pen on paper
- 8 1/2 x 11 inches
- November 1985
- © 1985 D A Ayer and the Neoteric Ensemble
- The ArtBus was a triumph of committee planning. Somehow we were able to collaborate successfully without trampling all over each others' feet, and the division of labor was organic and natural; those with interest and experience in some discipline got to do those things, didn't even have to try to avoid the others, and somehow all the bases were covered and it all worked out. A mess of notes from this exercise survive, and since most of the papers are undated they have no particular innate order. Artifacts. Ephemera. Such is ArtBus.
Edit or add more information: Ayer_Collection_0015
- Timetable study for ArtBus
- D A Ayer, Rebecca Ayer, Larry Nordstrom
- Pen and pencil on paper
- 8 1/2 x 11 inches
- November 1985
- © the artists
- This is the overlay drawing based on the town street map capturing the drive time between sites on the various bus routes. Since the two buses would drive different routes to deposit and collect passengers all about town, we needed to calculate all possible drive times and then choose the segments that worked. Both buses were empty most of the time as they shuttled between locations and transported two programmatically distinct yet individually coherent audiences.
Edit or add more information: Ayer_Collection_0016
- Tour guide plan for ArtBus
- Rebecca Ayer and D A Ayer
- Pen on paper
- 8 1/2 x 11 inches
- November 1985
- © the artists
- For folks not driving the buses, neither the town street map nor timetable study were particularly helpful. We needed traditional roles and blocking. Becky translated the public transportation plan into performer actions and took charge of tour guides Joel, Kurt, and Steve (Steve was reassigned when we were unable to obtain Wirtz Hall dormitory staff support).
Edit or add more information: Ayer_Collection_0017
- Timetable study for ArtBus
- D A Ayer, Rebecca Ayer, Larry Nordstrom
- Pen and pencil on paper
- 8 1/2 x 11 inches
- November 1985
- © the artists
- Wetware in action! A companion drawing to the town street map and first timetable study, this documents another stage in the logistics and route planning process. It was an attempt to abstract the route segment durations away from the physical routes. We can still claim it worked, even though it could never be proven necessary.
Edit or add more information: Ayer_Collection_0018
- Bus route dry run notes for ArtBus
- D A Ayer, Rebecca Ayer, Larry Nordstrom
- Pen on paper
- 8 1/2 x 11 inches
- November 1985
- © the artists
- Getting to the final route map required an empirical test of the timetable study assumptions. Our dry run came in under plan by three minutes—at 01:07:24 versus 01:10:21—and we figured that was well within tolerance for any live music event, as long as it wasn't boring.
Edit or add more information: Ayer_Collection_0019
- Route map for ArtBus
- D A Ayer, Rebecca Ayer, Larry Nordstrom
- Pen on plain paper copy
- 8 1/2 x 11 inches
- November 1985
- © the artists and DeKalb Chamber of Commerce
- This map copied from the Dekalb telephone directory was the entire route plan. Since we had two professional bus drivers—regulars on the Husky line which operated about town and the NIU campus—engaged, all we had to do was highlight some of the more obvious route choices once the locations were established. This was enough to start driving and timing the possible route segments. Either we got it right the first time, or our drivers improvised better routes in performance.
Edit or add more information: Ayer_Collection_0020
- Postcard, Neoteric Ensemble
- Rebecca Ayer
- Collage on poster board
- 6 x 4 inches
- November 1985
- © 1985 the artist
- Becky whipped it out again for the ArtBus event with a semi-random postcard or two. Though two media transformations—digital photo to JPEG followed by color adjustments in GIMP—can't quite resurrect the original DayGlo look and feel, "Mr. Travel" captures the spirit of the thing succinctly.
Edit or add more information: Ayer_Collection_0021
- Postcard, Neoteric Ensemble
- Rebecca Ayer
- Collage on poster board
- 6 x 4 inches
- November 1985
- © 1985 the artist
- Somehow the tabloids and local press coughed up yet another set of inspiring non sequiturs for our use. History buffs will recall the US invasion of Grenada was two years before, in '83. Never, ever, underestimate the power of a hole punch.
Edit or add more information: Ayer_Collection_0022
- Flyer, 5/5: 11th Annual Juried Show of Illinois Artists
- Randolph Street Gallery et al
- Plain paper copy
- 8 1/2 x 11 inches
- December 1985
- The Neoteric rang out 1985 with a reprise of the Elastic Theatre theme in downtown Chicago's Randolph Street Gallery. By this time there had been several personnel changes, and I would love to see a program with the list of performers should anyone still have one. Of course it is possible we never produced one, as the Ensemble's organizational abilities had been thoroughly taxed by ArtBus and logistics was not the strongest suit of the Chicago fringe galleries (few could survive on the largesse of the Illinois Arts Council alone, so day gigs conflicted as a rule).
- Those interested in the fate of the Randolph Street Gallery may be interested in the archive project posted by students of the School of the Art Institute of Chicago, which acquired the RSG ephemera after the gallery closed in 1998.
Edit or add more information: Ayer_Collection_0023
- Application, 5/5: 11th Annual Juried Show of Illinois Artists
- D A Ayer for the Neoteric Ensemble
- Plain paper copy
- 8 1/2 x 11 inches (truncated from original)
- November (?) 1985
- The Randolph Street Gallery made a space available for performance as part of the annual juried show "5/5", named for the number of participating galleries. The Ensemble applied to present Elastic Theatre (note the spelling of "theatre" is persistently inconsistent).
- Blank application, 5/5: 11th Annual Juried Show of Illinois Artists ( front)
- Randolph Street Gallery
- Plain paper copy
- 8 1/2 x 14 inches
- November (?) 1985
- Here is the original blank application in all its double-sided, 8 1/2 by 14 inch glory.
- Blank application, 5/5: 11th Annual Juried Show of Illinois Artists (back)
- The application is notable chiefly for the floor plan. Interestingly, it was rare to receive one when planning a performance—often only rough room dimensions were available, or one was invited to "come down and check out the space"—but galleries specializing in concrete works tended to have dimensioned plans on file. RSG, which catered to performance and video art, provided better information than most.
Edit or add more information: Ayer_Collection_0024
- Phone message re
- 5/5: 11th Annual Juried Show of Illinois Artists
- Paul Szlacht
- Pen on notebook paper
- 8 1/2 x 11 inches (approx.)
- December 1985
- Back before cell phones this is how things got done. Our entry was acceptable at half its planned length, as we'd be sharing the stage one evening. Thirty minutes was better than 03'09" so we took it.
- This memo was saved for character. Alert the handwriting analysts!
Edit or add more information: Ayer_Collection_0025
- Signed contract, Randolph Street Gallery, 5/5: 11th Annual Juried Show of Illinois Artists
- D A Ayer for the Neoteric Ensemble
- Plain paper copy
- 8 1/2 x 11 inches
- November 1985
- Our contract limited RSG's liability, ensured we cleaned up after ourselves, and entitled us to an honorarium sufficient to cover some of the costs of gasoline and duct tape.
Edit or add more information: Ayer_Collection_0026
- Poster, Relâche
- D A Ayer after Erik Satie
- Plain paper copy
- 8 1/2 x 14 inches
- April 1986
- © 1986 the artist, with thanks and apologies to M. Erik Satie
- The Ensemble recast Erik Satie's notorious ballet instantanéiste as an improvised bachelor party, accompanying René Clair's film Entr'acte at the interval. The elements of the poster—largely ripped off from Satie's own work—include a plastic milk jug; latex-covered milk jugs were an integral part of the makeup for the male performers, each of whom had an extra handle plus six inches of added height during the show.
Edit or add more information: Ayer_Collection_0027
- Stage directions, Relâche: a Piece for Dogs
- D A Ayer and the Neoteric Ensemble, after Erik Satie
- Pen on paper
- 8 1/2 x 11 inches
- April 1986
- © 1986 D A Ayer and the Neoteric Ensemble
- The Ensemble intercut a performance from the piano reduction of the Relâche score on stage with an improvised banquet of academic fools in the middle of the audience.
Edit or add more information: Ayer_Collection_0028
- Stills from Relâche: a Piece for Dogs
- Erik Satie interpreted by the Neoteric Ensemble
- Recording by Panda Kroll and Larry Nordstrom
- VHS tape
- 55' 40"
- April 1986
- Images © 1986 the Neoteric Ensemble
- These are samples from one of two video tapes made at the performance. Captions correspond roughly to the scenes according to the stage directions, which were based loosely on the headings in Satie's score.
- The West End costumes of Toujours Perdrix fame made a guest appearance. Produce was in the air. Liberties were taken throughout the performance—though the film score was followed as faithfully as the Ensemble's abilities allowed—and there was plenty of cleanup required afterwards.
Edit or add more information: Ayer_Collection_0041
- Clips from Relâche: a Piece for Dogs
- Erik Satie interpreted by the Neoteric Ensemble
- Recording by Panda Kroll and Larry Nordstrom
- VHS tape
- 55' 40"
- April 1986
- Images © 1986 the Neoteric Ensemble
- Video extensions in MediaWiki have broken every few versions as HTML5 and services such as YouTube became dominant. Until we have it working again, here are a few media clips to download:
- Relache_0075_Testimonial.mp4
- The Woman (Carol Funke) examines the Decor; segue to Steve Doyle's testimonial to Satie. The Men finally get to break the poses they've held for the last twenty minutes as the audience was seated and the overture played.
- Relache_029_Orchestra.mp4
- The orchestra accompanying the film.
- Relache_039_Dance.mp4
- The Woman dances with Satie (Jim Slenger).
- Relache_041_Wheelbarrow.mp4
- The Dance of the Wheelbarrow and first of several exits.
- Getting video up on this site is an experimental effort. Not all video will play in all browsers. We welcome advice on better tools to address this, or you could just carp about technology's unholy alliance with the Military Industrial Compex, etc. Interested parties, please check out the Video Sandbox.
- Do contact us and tell us what works and what doesn't. Don't forget to include the version of the browser and the operating system you're using.
Edit or add more information: Ayer_Collection_0042
- Prop from Relâche: a Piece for Dogs
- Tim Blickhan et al
- Plain paper copy
- 8 1/2 x 11 inches (truncated)
- April 1986
- ® 1986 the Neoteric Ensemble
- The official banquet food of academic fools the world over was served.
Edit or add more information: Ayer_Collection_0029
- Performance credits for Relâche: a Piece for Dogs
- The Neoteric Ensemble et al
- Plain paper copy
- 8 1/2 x 11 inches (truncated)
- April 1986
- The Ensemble invited guest faculty and its own alumni to provide the orchestra. Video, film, and effects were coordinated by Norman Magden. Panda Kroll doesn't appear in the credits but managed to document the performance on VHS.
Edit or add more information: Ayer_Collection_0030
- Public reaction to Relâche: a Piece for Dogs postponement
- Critique anonyme
- Plain paper copy
- 8 1/2 x 11 inches
- April 1986
- The performance was intentionally delayed to the usual nine PM time slot. Not everyone was pleased. Tomatoes and eggs were hurled during the final act.
Edit or add more information: Ayer_Collection_0031
- Postcard, Neoteric Ensemble
- Rebecca Ayer and family
- Collage on poster board
- 6 x 4 inches
- 1985 or 1986
- © the artist
- Nobody seems to have any better idea about this one than what's written here. Feel free to chime in.
Edit or add more information: Ayer_Collection_0032
- Flyer, Links Hall Performance Series (front)
- Michael Zerang et al
- Plain paper copy on card stock
- 6 x 7 1/2 inches
- April 1986
- Links Hall/Filmmakers
- Will write something about this object soon.
- Flyer, Links Hall Performance Series (back)
- Ditto.
Edit or add more information: Ayer_Collection_0033
- Invitation, Electric Pumpkin Patch
- Harry Castle and D A Ayer
- Plain paper copy
- 8 1/2 x 11 inches
- October 1989
- © 1989 the artists
- Something coming soon.
Edit or add more information: Ayer_Collection_0034
- Poster, Electric Pumpkin Patch
- Harry Castle and D A Ayer
- Plain paper copy
- 8 1/2 x 11 inches
- October 1989
- © 1989 the artists
- Something more coming soon.
Edit or add more information: Ayer_Collection_0035
- Floor plan, Electric Pumpkin Patch
- Harry Castle and D A Ayer
- Dot matrix print
- 8 1/2 x 11 inches
- October 1989
- © 1989 the artists
- There's a reasonable explanation for this.
Edit or add more information: Ayer_Collection_0036
- Poster, The Frogs
- Photino and the Neoteric Ensemble
- Plain paper copy
- 11 x 17 inches
- May 1990
- © 1988, 1990 Roger Anderson
- Harry decided to reprise Joe Pinzarrone's earlier Greek cycle. There's a back story and more here that needs to be fleshed out.
Edit or add more information: Ayer_Collection_0037
- Program, Neoteric Ensemble, Three Trillion Pints of Lite (cover)
- Neoteric Ensemble et al
- Plain paper copy
- 5 1/2 x 8 1/2 inches (approx.)
- June 1990
- Is this the last program?
- Program, Neoteric Ensemble, Three Trillion Pints of Lite (inside)
- The players of the day had their say. "It's over?"
Edit or add more information: Ayer_Collection_0038
- Questionnaire, Three Trillion Pints of Lite
- Neoteric Ensemble et al
- Plain paper copy
- 5 1/2 x 8 1/2 inches (approx.)
- June 1990
- A handout from the performance.
Edit or add more information: Ayer_Collection_0039
- Postcards, Three Trillion Pints of Lite
- Neoteric Ensemble et al
- Plain paper copy on hand-cut stock
- 7.5 x 5 inches (approx.)
- June 1990
- Looks like this is the end.
Edit or add more information: Ayer_Collection_0040
Punto Cinco
Just a place holder for our Punto Cinco and Espacio Cinco poster hoard, not entirely moldered away yet....
Potato Engineers
Assuming Photino has no objection, this stuff will go up as soon as I find a large enough flatbed copier. Tax time always sends us over to Kinko's for an afternoon so the opportunity should come soon enough.
Solo stuff
Dave and Becky's own home-rolled material and miscellany will show up here once converted.